August 2, 2022
Today, I am so honored to announce my episode with legendary Broadway performer Sandy Duncan, the star of Peter Pan, The Boy Friend, Chicago, and so many more shows on stage and on screen. Tune in today for an in-depth interview featuring many of the stories of her legendary career, including the eerie dream she had before the Tony Awards, why she dubs Finding Neverland “Never Never Never Never Land,” the challenges of taking on the role of Peter Pan, the unusual audition song she used early on, her accident during the run of Chicago, a difficult demand from Agnes DeMille, the condition on which she agreed to take over Valerie, what it’s like partnering with Gene Kelly, and the type of role that would make her come back to Broadway.
You won’t want to miss this conversation with one of the most talented triple threats in the industry.
Trivia Link: https://www.youtube.com/watch?v=8O-Xnecg2ro
July 21, 2022
Today, I am so happy to announce my episode with veteran actor Jonathan Hadary, who starred on Broadway in Gypsy, Guys and Dolls, Torch Song Trilogy, and so many more shows. Jonathan can currently be seen in the wonderful play Epiphany at Lincoln Center, running through July 24. Tickets for that can be found here:
Tune in today to hear him tell some of the stories of his legendary career, including the varying reactions he got to the original Assassins, why his first trip to New York made him think he could be on Broadway, the long audition process for Torch Song Trilogy, a way that Gypsy could be re-imagined, why Epiphany took on more significance during the pandemic, and so many more.
July 17, 2022
Today, I am so thrilled to announce my episode with Company’s original Jenny, Teri Ralston, whose many other credits include A Little Night Music, The Baker’s Wife, and more. Tune in today to hear some of the stories of her legendary career, including the original problem with the pot scene in Company, why Michael Bennett was an unusual choreographer, the three shows she saw and knew she had to be in, the meaning of the Greek chorus in A Little Night Music, the perfect way to sing the ending of “Send in the Clowns,” how Peggy Lee decorated her apartment, the saga of The Baker’s Wife that ended in a physical fight, the director that made her cry, and so much more.
July 15, 2022
Today, I am so happy to announce my episode with my second guest this week to have starred in the original cast of Company: its original Sarah, Barbara Barrie, whose other credits include The Prisoner of Second Avenue, Torch Song Trilogy, and Signficant Other. Tune in to hear some of the fascinating stories of her long career, including the battle she had with Hal Prince and Equity over Original Cast Album: Company, the part she turned down but later got to replace as, the Neil Simon show in which she felt her part was undeveloped, the challenges of balancing motherhood and acting, the difference between Art Carney and Hector Elizondo as co-stars, how she landed her Broadway debut, the differences between starring on stage and screen, the “total disaster” that was The Selling of the President, how she almost got held in a mental asylum while researching a part, acting with Tony Randall on The Odd Couple: Together Again, working with Barbara Baxley on A Little Night Music, what would make her come back to Broadway now, and so much more.
You won’t want to miss this fascinating look into the Golden Age of Broadway with one of its most skilled actresses.
July 12, 2022
Today, I am so happy to announce my episode with Broadway legend Donna McKechnie, star of A Chorus Line, On the Town, State Fair, Promises, Promises, and Company. Tune in today to hear her share some of the insights of her legendary career, including the difference between Bob Fosse and Michael Bennett, the replacement of the choreographer in How To Succeed, touring with Ethel Merman, the story of her iconic “Tick Tock” dance, the many versions of Cassie that were proposed along the way, the monologue she had that was cut from A Chorus Line, tricks for surviving New York in the 70s, choreographing Sondheim: A Musical Tribute, dancing on TV in Hullabaloo, and so much more.
You won’t want to miss this fascinating conversation with a star whose dancing epitomizes the Golden Age of Broadway.
July 10, 2022
Today, I am so honored to announce my episode with a Broadway star who I’ve been a fan of as long as I’ve loved theater, the one and only Queen Lesli—Lesli Margherita. Lesli is currently appearing at BroadwayCon through July 10, Broadway’s fan convention featuring unmissable panels and performances. You can find tickets to it here: https://www.broadwaycon.com/
Tune in today to hear her tell some of the stories of her legendary career, including why Matthew Warchus is a great director, the challenges of developing a cabaret called All Hail the Queen, being a positive influence on social media, why Dames At Sea couldn’t attain the success it deserved, the upcoming revival of Dames At Sea, moving to NYC in 2013, auditioning for Kenny Ortega, her go-to audition songs, the Patti LuPone role she would love to play, and so much more.
July 2, 2022
Today, I am so happy to announce Part 2 of my celebration of the 50th Anniversary of Grease, featuring its producer, Ken Waissman. In addition to Grease, Ken Waissman’s other producing credits include Agnes of God, Torch Song Trilogy, and more. But before you listen, make sure to purchase Ken’s new book Grease: Tell Me More, Tell Me More: Stories from the Broadway Phenomenon, which can be found here:
Purchase Tell Me More, Tell Me More
But first, tune in today to here fascinating stories including: the theater on Broadway that Ken named, the strategies he used to launch Grease at the beginning, the process of persuading Harvey Fierstein to bring Torch Song to Broadway, firing Lee Remick, the ways in which The Andrews Sisters tortured each other, ridiculous demands from David Merrick, why Over Here couldn’t go on the road, why he decided to leave the business, and so much more!
You won’t want to miss this episode with a true man of the theater.
June 26, 2022
Today, I am so excited to announce the first part of my celebration of the 50th Anniversary of Grease with it’s original director Tom Moore. In addition to Grease, Tom Moore’s Broadway credits include ‘Night, Mother, Over Here, and Frankenstein. If you want to hear even more about the creation of Grease, make sure to purchase the recently released book Grease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started it All, coauthored by Tom Moore, Ken Waissman, and Adrienne Barbeau. You can find it here:
Purchase the Book
But first, tune in today to hear some of the stories of Tom’s amazing life and career, including: why Frankenstein never got its chance, the stars he thought were dead before he worked with them, his initial hesitance to accept Grease, the art to meeting with Jim Jacobs and Warren Casey, why he wanted to revive Once in a Lifetime, the show he feels was the best work he ever did, the idea he never used for the film of ‘Night, Mother, the two shows he thinks weren’t right for Broadway, the perfect pairing of stars for Moon Over Buffalo, and so much more.
You won’t want to miss this masterclass in directing peppered with fantastic anecdotes.
June 19, 2022
Today, I am so thrilled to announce my interview with the executive director of the Shubert Organization Charles Flateman. Charles is also the chairman of the board of NYC and Company, the CEO of Audience Rewards, and the co-founder of Broadway Inbound. Tune in today to hear some of the insights of his great career, including how theaters are assigned to different shows, Bette Midler’s special dressing room demand, what Elaine Stritch was like to work with, the unfortunate case of The Scottsboro Boys, how Broadway ticket prices are set, the “lift-and-shift” process of ticketing The Music Man, how he first became aware of Covid, the reason behind the naming and renovation of the James Earl Jones Theatre, and so much more. You won’t want to miss this fascinating conversation with one of Broadway’s producing insiders.
May 28, 2022
Today, I am so honored to announce my episode with Tony Nominee Jill O’Hara, whose many stage credits include starring in the original productions of Promises, Promises, George M!, and Hair. She shares so many of the stories of her wonderful career, including standing her ground with David Merrick, a funny encounter with Kristin Chenoweth, giving a note to Tom Bosley, the differences between the off-Broadway and Broadway productions of Hair, growing up in a theatrical family, why every copy of The New York Times once had to be taken out of Stockbridge, the song that was cut from Promises, Promises, the new cabaret show she is developing, and so much more.
May 7, 2022
Today, I am so happy to announce my episode with Encores! Producing Creative Director and Tony-winning set designer Clint Ramos. Clint’s current project is Encores!’ newest production, Into the Woods, which runs now through May 15. You can find the remaining tickets here:
Into the Woods
You can tune in today to hear some of the stories of Clint’s amazing career, including the art of designing for a star, creating a program with the American Theater Wing for young costume designers, his extensive research process for Respect, why Slave Play had extra resonance after quarantine, how he helped create the new mission for Encores!, working with Henry Krieger and other original creatives on Encores! shows, putting together a virtual season, the concept for the new Into the Woods, and so much more.
May 4, 2022
Today, I am so happy to announce my episode with Chris Mouron and Anne Tournié, creators of The Little Prince. Chris is the narrator, adaptor, and co-director, and Anne is the co-director and choreographer. Tune in to hear them speak about the international success of the show, including the process of modernizing the book, the location where audiences had never read the book, what was added for the New York run and why, the place they’d like to perform the show next, how Broadway audiences are different, connecting with Antoine De Saint Exupery’s estate, the parts of the book that were hardest to adapt, and more.
You won't want to miss this fascinating conversation with two ground-breaking artists.
April 30, 2022
Today, I am so honored to announce my interview with Jennifer Ashley Tepper, who has been Creative and Programming Director of 54 Below since 2013. Today, she’s here to celebrate the 10th Anniversary of the legendary cabaret room. On May 2nd, you can see a fabulous celebration called Ten Years of Musical Theater History at 54 Below:
Tune in to hear some of the stories of her legendary career, including presenting the premiere of A Strange Loop, choosing concerts to present virtually, which Broadway stars she’d love to have perform there, creating the schedule, setting prices for shows, having the Real Housewives film there, the difference between 7 and 9:30 PM programming, how the club has changed over the years, what it’s like marketing a 54 Below show, finding the line between fan and producer, and so much more.
April 25, 2022
Today, I am so excited to announce my interview with Linda Cho, recorded in October of 2020. You can see her highly praised costume design in POTUS, currently running on Broadway, which you can find tickets for here:
In the meantime, tune in to hear some of the stories of her career, including the influence of Ming Cho Lee, working with Broadway’s first all-female creative team on The Lifespan of a Fact, why Christy Altomare is an ideal star, the method in which she sketches, doing research as a costume designer, how her aesthetic sense affects her personal life, and more! Tune in today for this fascinating conversation with one of Broadway’s most in-demand artists.
April 20, 2022
Today, I am so happy to announce my new episode with Sam Pinkleton, movement director of the current Macbeth and choreographer of Amelie, Soft Power, and more. Tune in today to hear some of the stories of his career, including why he chose not to be a performer, the unusual Macbeth rehearsal process, adding a dance break to Natasha, Pierre, and the Great Comet of 1812, fighting his “musical theater demons” with Soft Power, the influence of Elizabeth Swados, creating a tango for Heisenberg, the changes he wants to see in the musical theater art form, and so much more.
Make sure to tune in today for an inspiring conversation with one of the people leading the charge to change the face of American theater.
April 17, 2022
Today, I am so happy to announce my episode with legendary Broadway dancer and choreographer Baayork Lee, whose credits include A Chorus Line, My One and Only, The King and I, Flower Drum Song, and more. Tune in to hear some of the stories of her life and career, including the song for her and Ronald Dennis that was cut from A Chorus Line, the Broadway directing job she turned down, the process of saving Seesaw, being a dancing amoeba in Henry, Sweet Henry, befriending stage hands at 5 years old, founding the National Asian Artists Project, meeting Tommy Tune on A Joyful Noise, how Michael Bennett met John Raitt, and so much more.
Make sure to tune in for an entertaining and informative conversation with one of Broadway’s greats.
April 13, 2022
Today, I am so happy to announce Part 2 of my episode with Broadway actress Beth Fowler, star of Sweeney Todd, Beauty and the Beast, The Boy From Oz, and more. Tune in today to hear more of the amazing stories of her career, including what it was like working with Whoopi Goldberg, her New York Times review for Inherit the Wind, the mistake with the revival of Bells are Ringing, her collaboration with Bob Gunton, why Take Me Along shouldn't have come to Broadway, plus anecdotes about Hugh Jackman, Jerry Zaks, Faith Prince, and more.
April 5, 2022
Today, I am so happy to announce my interview with two-time Tony Award nominee and television star Beth Fowler. Tune in today to hear some of the stories of her legendary career, including: choosing between two Broadway shows, meeting a real Roosevelt during Teddy and Alice, bonding over Leonard Bernstein with Patricia Routledge, performing the Andrews Sisters’ repertoire with Maxine Andrews, her fantasy Broadway debut, directing for Burt Reynolds, working with Nick Jonas, how she almost didn’t end up on Orange is the New Black, why the New York Times had too much influence, the reason A Little Night Music closed, a compliment from Hal Prince, and so much more. You won’t want to miss this conversation!
March 21, 2022
Today, I am so honored to announce the release of my newest episode, featuring Broadway and cabaret star Karen Mason. If you want to see Karen’s talents at work, you can buy tickets to her Birdland show, Kander and Ebb and All That Jazz on March 28 at this link:
And you can find her new album, Let the Music Play, on Spotify and Amazon Music.
In the meantime, tune in here to hear Karen tell some of the stoires of her legendary career, including: her disastrous audition for Sunset Boulevard, why Mamma Mia came along at just the right time, bonding with the cast of Rebecca, her first-day-of-rehearsal tradition, finding her own interpretations of Mama Rose and Norma Desmond, the unusual opening night party for Play Me a Country Song, and why she couldn’t be part of the original Torch Song Trilogy. You won’t want to miss this fun and entertaining conversation with a true legend of the theater.
March 18, 2022
I am so honored today to announce my episode with one of Broadway’s foremost musical directors adnd author of the new memoir Facing the Music David Loud. The memoir is available here:
Facing the Music
And you can see the Lyrics and Lyricists tribute to him through the ticket link here:
Lyrics and Lyricists
But meanwhile, tune in today to hear him tell some of the stories of his long career, including what Ann Reinking gained from the choreographers she worked with, an askew turntable at Les Miserables, his complicated history with The Secret Garden, why Sondheim is the perfect idol, working with Mike Nichols, his admiration for Burton Lane, delving back into his life to write his memoir, why he decided to retire, and so much more.