Backstage Babble

David Lindsay-Abaire

Today, I’m so honored to announce the release of my interview with Pulitzer Prize-winning playwright David Lindsay-Abaire, winner of two Tonys for his book and lyrics for Kimberly Akimbo. He joins me to talk all about Kimberly Akimbo, including the changes that were made between Broadway and off-Broadway, as well as telling other stories including why Marylouise Burke is his muse, the process of getting Fuddy Meers produced, challenging himself with Rabbit Hole, working with Dreamworks on Shrek, the play of his that he felt never quite came together, and so much more. You won’t want to miss this conversation with one of theater’s best playwrights.

Sandy Rustin

On the opening night of The Cottage, I’m excited to announce the release of my episode with its playwright Sandy Rustin. Tune in today to hear about the play’s long path to Broadway, and other stories of her career including rewriting I Married an Angel for Encores!, her extensive research process, her useful advice for young writers, being directed by James Lapine, where her sense of humor comes from, her extensive work on audiobooks and ADR, the real-life basis for her show Comedy Is Out, working with Donna Murphy on rewriting Dear World, and so much more.

D’Jamin Bartlett

Today, I’m so honored to announce my episode with Broadway actress D’Jamin Bartlett, who will be performing “The Miller’s Son” at Backstage Babble Live on July 17. Tune in today to this interview from July 2022 to hear some of the stories of her legendary career, including coming in out of town on A Little Night Music, auditioning for Stephen Sondheim, raising children as an actress, being upstaged by Liza Minelli, how she settled on her stage name, the role she regrets turning down, almost appearing in Billy Elliot, and so much more.

Leslie Uggams

Today, I’m so excited to announce my episode with star of stage and screen Leslie Uggams. Leslie’s new movie Dotty & Soul is now out on all streaming platforms. Tune in today to hear her talk about how meaningful the part of Dotty is to, as well as tell stories about her Broadway career, including taking acting lessons with Stella Adler and Sal Mineo, her early friendship with Ethel Waters, talking to Arthur Laurents about the role of Madame Rose, why Her First Roman wasn’t successful, dealing with Carol Channing's allergies, reading Hallelujah, Baby! while David Merrick fell asleep, and so much more. You won't want to miss this illuminating conversation with a legend of the stage.

Michael Urie

Today, I am so happy to announce my interview with star of stage and screen Michael Urie. Tune in for a funny, fascinating conversation about his varied career, including the type of work he wanted to do coming out of college, being on stage when Patti LuPone took an audience member’s cellphone, the genius of Jane Alexander and Mercedes Ruehl, how he won, lost, and won the role of Bud Frump, reading a gay Company for Stephen Sondheim, auditioning for Harvey Fierstein, coming back from Covid with Chicken and Biscuits, smart advice from Tony Kushner and Jerry Zaks, being out in Hollywood, how he almost did Avenue Q, and so much more. You won’t want to miss this interview.

Janine LaManna

Today, I’m so happy to annoounce my episode with Broadway star Janine LaManna. Janine’s solo show Black and Gold plays tomorrow night, June 26 at the Green Room 42, and tickets are available here. Tune in today to hear some of the stories of her incredible career, including her appearances in Seussical, Sweet Charity, and Kiss Me, Kate. You won’t want to miss this in-depth conversation.

Carol Burnett

Today, I am beyond thrilled to announce the 150th episode of Backstage Babble with the iconic, legendary, Carol Burnett. Fresh off of her 90th birthday celebration, Ms. Burnett joins us to discuss her career, including; the advice she got from John Huston, why she dreamed of working with George Abbott, the celebrities who she Wordles with every day, the current progress of her campaign to rename a Broadway theater for Hal Prince, the unconventional audition process for Hollywood Arms, protesting outside of Once Upon A Mattress, why she can’t tell a joke to save her life, the Broadway roles she wishes she could’ve played, and so much more. Thank you for tuning in for 150 episodes, and I hope you enjoy this conversation.

Robert Lopez

Today, I am thrilled to announce my episode with double-EGOT winning songwriter Robert Lopez. Tune in to hear some of the stories of his incredible career, including how he first met Stephen Sondheim, giving William Finn a backrub, staging a show in the Yale swimming pool, why he decided not to write the book for Avenue Q, the rushed process behind Frozen 2, the inspiration for his new show Up Here, how “Let it Go" came from his high school experience, his Disney project that was shelved, and so much more. You won’t want to miss this fascinating conversation with one of the funniest and most talented living songwriters.  

Jesse Green

Today, I am so thrilled to announce my episode with one of the theater’s most influential minds, the New York Times’s chief theater critic Jesse Green. Tune in today for an in-depth interview as Jesse discusses his varied career. Highlights include: working with Hal Prince on A Doll’s Life, why he decided to stop working on Broadway, his view of the role of a critic, covering the “Tear Beat,” the off-Broadway show this season he has been looking forward to, being begged by John Kander not to become a critic, the play he regrets reviewing, the exciting profile that fell apart, his hopes for the future of Broadway, his rule for standing ovations, his three-laugh-a-page rule for Shy, and so much more. You won’t want to miss this fascinating conversation.

 

Note: This interview was recorded in February 2023.

Lorna Dallas

Today, I’m so thrilled to announce my episode with veteran theater and cabaret performer Lorna Dallas, whose new show Glamorous Nights and Rainy Days is playing on May 17 at the Laurie Beechman Theater. You can find seats here:

Glamorous Nights and Rainy Days

Meanwhile, tune in to hear some of the stories of her legendary career including the advice Molly Picon’s husband gave her about converting to Judaism, going from fan to friend with Caterina Valente, working with Danny La Rue on the first male-led Hello, Dolly!, auditioning Ambassador with Hal Hackady, the inspiration for her new show, getting a song written by Ann Hampton Callaway, her unique experience during the pandemic, and so much more.

David Auburn

Today, I am thrilled to announce my episode with the Pulitzer Prize-winning playwright David Auburn, whose play Summer, 1976 is currently running at the Samuel J. Friedman Theater on Broadway. Tune in to hear some of the stories of David’s career, including the method of putting replacement casts into Proof, the play idea he abandoned about Harry Houdini, the original intention for Summer, 1976, working with John Lithgow, his research process, what it was like editing Tick…Tick…BOOM! for the stage, adapting the play The New York Idea for the modern day, his new adaptation of The Wild Duck (which is about to be read at Classic Stage Company), and more. You won’t want to miss this conversation.

Paulo Szot

Today, I am thrilled to announce my episode with the great Paulo Szot, who is currently starring as Lance DuBois in Broadway’s smash hit & Juliet—a joyous show which I highly recommend! Tune in today to hear Paulo tell some of the stories of his fantastic career in the opera and Broadway worlds: growing up in Brazil in a family that encouraged the arts over all else, the musical movie that inspired him, working with Luciano Pavarotti, the challenge of singing in modern operas, the ways that he keeps up his voice during a long run, what he brought to his South Pacific audition, the experience of re-opening Broadway with Chicago, what Erika Jayne brought to the role of Roxie, bringing his classical training to theater and pop scores, and of course the saga of & Juliet! You won’t want to miss this candid conversation with one of Broadway’s best voices!

Sharr White

Today, I am so thrilled to announce my episode with Sharr White, playwright of Pictures from Home which is currently playing at Studio 54 starring Nathan Lane and Danny Burstein. Tune in today to hear some of the stories of Sharr’s career, including the plays of his that have been based on New York Times article, basing Annapurna on a former teacher, the process of pitching Halston, why war used to be a theme that fascinated him, the play of his he’s hoping to bring into New York, working with Larry Sultan’s widow Kelly Sultan on Pictures from Home, Robert LuPone’s ability to destroy scripts, his many years writing advertising copy, and the projects he’s currently working on.

Douglas Lyons

Today, I am so thrilled to announce my episode with Douglas Lyons, who is currently starring in Parade at the Bernard Jacobs Theatre. Tune in to hear some of the other stories of his great career, including the experience of opening a Broadway play right after the Covid-19 pandemic, writing a musical about Five Points, the play of his that never got off the ground, the genius of Beautiful, why The Book of Mormon should be valued as a work of genius, writing for TV with Fraggle Rock, how an interview with Phylicia Rashad inspired his off-Broadway musical Polkadots, going on the road with Rent, and so much more.

Ben Crawford, Broadway’s Final Phantom

On April 16, The Phantom of the Opera will take its final Broadway bow. And today, I am so honored to be joined by Ben Crawford, the last man to wear the iconic mask before the show closes. Tune in today to hear Ben talk about funniest audience reactions, onstage mishaps, the physical challenges of singing through a mask, the unique feedback he got from Hal Prince, and his long audition process for the role. There are also stories about the rest of Ben’s great career, including the genius of Scott Ellis, the musical he’d like to be in next (hint: it involves a Founding Father), a disastrous audition story, the absurd comedy of Irma La Douce, life on the road in Guys and Dolls, and so much more. You won’t want to miss this delightful conversation with one of Broadway’s best.

BD Wong

Today, I am so excited to announce the release of my episode with Tony-winner BD Wong. BD is currently the director of Yes, I Can Say That! at 59e59 Theaters, the hilarious new solo show starring Judy Gold about the intersection between comedy and cancel culture. You can find tickets to that here:

 

https://www.59e59.org/shows/show-detail/yes-i-can-say-that/

 

Tune in to hear some of the stories of his legendary career, including why M. Butterfly was so successful, the abuse he suffered at the hands of John Dexter, coming in to Face Value for its New York run, being the first male Peter Pan, contrasting TV experiences with Awkwafina and Margaret Cho, the simplicity that You’re a Good Man, Charlie Brown, collaborating with Stephen Sondheim, his newfound interest in directing, and so much more. You won’t want to miss this inspiring, honest interview with one of the best actor/directors in the business.   

Robert Horn

Today, I am so thrilled to announce my episode with Tony-winning librettist Robert Horn, currently the author of Broadway’s funniest hit Shucked and the Disney adaptation Hercules, now playing at the Paper Mill Playhouse. Tune in today for a deep dive into the history of Shucked, plus stories about a surprise phone call from Bette Midler, comiing in on the musical 13 out of town, the challenges of adapting Tootsie during the #MeToo movement, taking over the TV series Designing Women, three favorite pilots of his that didn’t get picked up, how he almost adapted Funny Girl, being mentored by Thomas Schumacher and Bob Boyett, his many new projects, and so much more. You won’t want to miss this masterclass from one of Broadway’s funniest people!

Daryl Roth

Today, I am so excited to announce my episode with one of Broadway’s most influential figures, 38-time Tony nominated producer Daryl Roth. Currently, Daryl is producing Life of Pi on Broadway, which begins performances on March 9. Tune in today to hear some of the stores of her long career, including the play she produced that ended up being performed in medical schools, why raising money is her least favorite part of producing, how she converted a bank into a theater, why she chose not to take Edward Albee’s The Goat out of town, the process of reuniting the original cast of How I Learned to Drive, why London is a good breeding ground for Broadway transfers, opening theater up post-pandemic with Blindness, the famous actress who insisted on being barefoot on stage, and so much more.

Barry Edelstein

Today, I am so happy to announce my episode with  artistic director of San Diego’s Old Globe  Theater, Barry Edelstein. Barry is the director of Roundabout’s hit production of The Wanderers, a funny, dramatic, and extremely timely play that’s a must-see for New York audiences. You can find tickets here:

 

The Wanderers

 

Tune in to hear some of the stories of his prestigious career, including what he learned from Joseph Papp, how he met Steve Martin, putting on a Philip Glass piece at Classic Stage Company, recommending Shylock to Al Pacino, why we’re in a golden age of American playwriting, the play that Oskar Eustis recommended to him, his experience with moving to the West Coast, upholding the literary standards of the Old Globe, and so much more.

Jane Alexander

Today, I am so honored to announce my episode with 8-time Tony nominee Jane Alexander. Tune in to hear some of the stories of Jane’s legendary career, including the bad audience reactions she received in THE GREAT WHITE HOPE, how Henry Fonda would break the fourth wall, trying to get Elizabeth Taylor to a set on time, how she launched Tommy Lee Jones’ career, the changes made to THE SISTERS ROSENSWEIG, the part she felt she wasn’t right for, why she never performed at the Williamstown Theater Festival, why she decided to come back to Broadway with GRAND HORIZONS, and so much more. You won’t want to miss this in-depth conversation with one of the greatest performers to grace the American stage.